The Ryerson Image Centre to celebrate contemporary female artists beginning Wednesday, January 20

Wendy Snyder MacNeil, Andrew Ruvido and Robyn Wessner, from the series Hands, 1981; printed 1982, platinum-palladium print on tracing vellum. IA.2007.0165. Wendy Synder MacNeil Archive, Ryerson Image Centre.
Wendy Snyder MacNeil, Andrew Ruvido and Robyn Wessner, from the series Hands, 1981. Printed 1982, platinum-palladium print on tracing vellum. Wendy Synder MacNeil Archive, Ryerson Image Centre.

The Ryerson Image Centre (RIC) at Ryerson University in downtown Toronto will celebrate contemporary female artists with three exhibitions featuring work by Wendy Snyder MacNeil, Spring Hurlbut and Izabella Pruska-Oldenhof. Using a variety of media, including photography, video installation and experimental film, these artists will explore universal themes such as portraiture, mortality and the displacement of people. The exhibitions will be on view from January 20 to April 10, 2016, with an opening party scheduled for Wednesday, January 20 from 6 pm to 8 pm.
The Light Inside: Wendy Snyder MacNeil, Photographs and Films brings renewed attention to the art and influence of pioneering American photographer and educator Wendy Snyder MacNeil (b. 1943), whose archive is preserved at the RIC. MacNeil’s austere, compelling images contributed significantly to the North American photography scene during the 1970s and 1980s.
Restlessly experimental, she strives to portray complex identity and forge a more direct engagement between subject and viewer by pushing the formal boundaries of portraiture. The exhibition is accompanied by a catalogue, as well as the world premiere of Jeremy Leach and Wendy Sndyer MacNeil’s film When the Ice Goes Out (2015), among other events.

Spring Hurlbut, Airborne, 2008, still frame from video installation. ©Spring Hurlbut. Courtesy of Georgia Scherman Projects.
Spring Hurlbut, Airborne, 2008, still frame from video installation. Courtesy of Georgia Scherman Projects.

Acclaimed Canadian artist Spring Hurlbut’s video Airborne (2008) is a silent reflection on mortality and the physical presence of death, and offers a mesmerizing immersion in a poignant ritual. The piece documents the release of cremated remains entrusted to the artist by relatives of the deceased.
Captured in slow motion, the artist opens the urns of six individuals, including that of her own father, and the ashes gracefully ascend, creating a delicate smoke that swirls against a black background.

Unknown photographer, NASA Agency, Untitled [Aviation/Apollo 11-Crew Returns Home], n.d., gelatin silver print. The Black Star Collection, Ryerson Image Centre.
Unknown photographer, NASA Agency, Untitled (Aviation/Apollo 11-Crew Returns Home). Gelatin silver print. The Black Star Collection, Ryerson Image Centre.
Displayed on the Salah J. Bachir New Media Wall, a newly-commissioned video by Canadian experimental filmmaker Izabella Pruska-Oldenhof stitches together representations of night skies with images of people in transit captured over the last century, linking the displacement of people to celestial passages through space. Weaving source material from the RIC’s Black Star Collection of photo-reportage and astronomical photographs from the US government agency NASA, Izabella Pruska-Oldenhof: The Relics of Lumen creates an immersive environment of mosaics and composite collages.
The exhibitions will be accompanied by free public programming, including artist and curator walk-throughs, film screenings, talks, lectures and more. A full schedule of events is available at www.ryerson.ca/ric/lectures/uplectures. Admission to the gallery is free with exhibition tours daily at 2:30 pm. The Ryerson Image Centre is located at 33 Gould Street in Toronto.

Tony Curcio
Tony Curcio is the news editor at Graphic Arts Magazine.

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